Robert WLÉRICK (1882-1944) Bust of Jenny,... - Lot 202 - Crait + Müller

Lot 202
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4000 - 6000 EUR
Robert WLÉRICK (1882-1944) Bust of Jenny,... - Lot 202 - Crait + Müller
Robert WLÉRICK (1882-1944) Bust of Jenny, sketch, 1943 Bronze proof, n°2/5. Sand cast by Lucien Thinot. Signed (on the back, lower right): R. Wlérick. Founder's signature (on the back of the base): L.THINOT.fondeur.PARIS. Numbering (double, on the back, bottom right) 32,5 x 24 x 19 cm PROVENANCE : France, Cygne Vert gallery (acquired in 2000); United States, private collection BIBLIOGRAPHY : Baschet, Jacques, Sculpteurs de ce temps, Nouvelles Éditions Française, 1946. - Robert Wlérick, Actes du colloque de 1995, Éditions musées de Mont-de-Marsan, 1999 EXHIBITIONS : - Robert Wlérick, 1882-1944, London, Bruton Gallery, 22 May-26 June 1976, Birmingham City Museums and Art Gallery, 1 July-8 August 1976. - Robert Wlérick, retrospective presented at the Salon Métamorphoses 1978 of the Société des Artistes Français, Le Grand Palais, Paris, 24 April-22 May, 1978. - French Sculpture, London, Bruton Gallery, 1979. - Robert Wlérick (1882-1944), Paris, Musée Rodin, 31 March-28 June 1982; Mont-de-Marsan, Musée Despiau-Wlérick, 17 July-26 September 1982, Éditions Musée Rodin, 1982, n° 93, p. 85, repr. (bronze proof no. 1/10 of another version). Buste de Jenny, esquisse is one of three sketches made by Wlérick for Buste de Jenny (1943-1944). The first two have a straight head carriage, while the third has a bent head. The final bust was made from the last version. In the sketches, the sculptor researched the head's plumbness and the look, which he later changed. They have been called in the literature the impressionist side of Wlérick's work because their more modelled and passionate writing contrasts with the search for perfection, harmony and purity of the profiles that we see in the final models. They possess the spontaneity of the first draft, embodying the first idea in its raw state. The model, Jenny, had also posed for Pomona, a stone statue presented at the Palais de Chaillot and commissioned for the 1937 Universal Exhibition (1982, cat. exp., p.65-66).
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